Freagra tapa: Tá katana is éasca a thuiscint i trí ghrúpaí: an claíomh, an lámh agus na huirlisí, agus an saya nó an scabbard. De ghnáth taispeántar na trí cinn i ngriangrafanna táirge, ach bíonn deacracht ag ceannaigh na téarmaí beaga a mhíniú cad atá siad ag féachaint air.
Coinníonn an treoir seo an téarmaíocht ina chleachtas. Ní le haghaidh a bheith ina stairiúil ar gach cuairteoir é; cabhraíonn sé leat leathanach táirge, roghanna saincheaptha, agus grianghraif na gclaíomh a léamh le muinín níos mó.
NIMOFAN field guide · source-verified V1
Select a label to see where the term belongs on a representative NIMOFAN katana. Some labels describe visible fittings, while others describe a blade feature or measurement rather than a removable part. Fittings, finishes, proportions, and construction details vary by model.
Drawn view · representative NIMOFAN katana
Exploded fittings view · not a disassembly photograph
Blade labels are ready. Hover to preview on desktop, or select a label on any device.
Hover to preview on desktop. Click, press Enter or Space, or tap to lock the numbered location and read its source boundary.
1 / Blade — Tōshin
Tōshin refers to the steel blade itself. In this view, the exposed blade runs from immediately in front of the habaki to the kissaki; the concealed tang is identified separately as nakago.
Source boundary: Do not use nagasa as the Japanese name for the blade, and do not infer the concealed tang or internal construction from this exterior view.
2 / Kissaki
The kissaki is the point section at the end of the blade. Its outline is easiest to compare in a clear side view, while the transition into the tip may require a close-up.
Source boundary: Do not infer polish quality or geometry from a distant photograph.
3 / Yokote
The yokote is the line that separates the kissaki from the main body of many shinogi-zukuri blades. Some blade geometries do not show a distinct yokote.
Source boundary: Do not present the feature as universal.
4 / Ha
The ha is the cutting-edge side of the blade. A photograph can identify its location, but sharpness and edge condition must be confirmed from the specific product information.
Source boundary: Never infer sharpness or cutting readiness from the diagram.
5 / Mune
The mune is the back or spine of the blade opposite the cutting edge. It helps readers orient the blade in side-view and cross-section diagrams.
Source boundary: The image does not prove spine thickness or cross-section.
6 / Shinogi
The shinogi is the longitudinal ridge found on many katana blade geometries. Angled light normally reveals it more clearly than a flat side photograph.
Source boundary: Do not claim every blade has the same ridge geometry.
7 / Hamon
Hamon refers to the visible pattern associated with differential hardening on traditionally treated blades. A decorative or etched line can look similar, so the specific product description must confirm the process.
Source boundary: Do not equate every visible line with clay tempering.
8 / Bo-hi
A bo-hi is a groove running along part of the blade. It is a design and geometry feature, not a standard component on every katana.
Source boundary: Do not promise weight, sound or performance effects for the pictured product without evidence.
9 / Boshi
Boshi is the continuation of a hardened pattern into the kissaki on a differentially hardened blade. It normally requires suitable polish, lighting and close inspection to identify.
Source boundary: Do not place a confident hotspot when the selected photograph cannot show it.
10 / Nagasa
Nagasa is the blade-length measurement taken in a straight line from the notch near the habaki to the tip. It is a measurement, not a removable part of the sword.
Source boundary: Use an illustrative measurement line; do not publish a product dimension unless verified.
11 / Sori
Sori describes the curvature of the blade. It is measured rather than removed, and the amount and location of curvature vary by blade.
Source boundary: Do not label it as a fitting or universal curve value.
12 / Habaki
The habaki is the collar fitted around the base of the blade immediately in front of the guard assembly. It is also the part that seats at the mouth of the saya.
Source boundary: Material and exact fit belong to the specific product.
13 / Seppa
Seppa are thin spacers positioned around the tsuba in the mounting. In an assembled side view, only their edges may be visible.
Source boundary: Do not claim a fixed number for every mounting.
14 / Tsuba
The tsuba is the guard between the blade and handle. Its shape, material and decoration vary widely, making it one of the easiest fittings to identify in product photographs.
Source boundary: Do not infer material or historical style without product evidence.
15 / Fuchi
The fuchi is the collar at the front end of the tsuka, next to the guard assembly. It is commonly paired visually with the kashira at the other end.
Source boundary: Pairing and material vary by mounting.
16 / Tsuka
The tsuka is the handle assembly of the sword. It can include a wood core, surface panels, wrap, ornaments, pins and metal fittings, but the exact construction must be checked for the specific model.
Source boundary: Do not imply one construction method across all products.
17 / Samegawa
Samegawa refers to the ray-skin surface traditionally used on the tsuka. On production swords, the visible texture and material specification should be confirmed from the product listing.
Source boundary: Do not call a texture genuine ray skin unless verified.
18 / Tsuka-ito
Tsuka-ito is the wrap around the handle. Color, material, tension and wrapping pattern are model-specific and should be judged from current product media and specifications.
Source boundary: The explorer identifies the wrap but does not certify its material or tightness.
19 / Menuki
Menuki are small ornaments positioned beneath or within the handle wrap. Their design and placement can be partly hidden by the ito.
Source boundary: Do not infer material, age or symbolic meaning without evidence.
20 / Mekugi
Mekugi are pins used in the blade-and-handle assembly. A side photograph may show their exposed ends, but the number, material and internal fit require product-specific confirmation.
Source boundary: Do not promise a number, material or performance based on appearance alone.
21 / Kashira
The kashira is the fitting at the end of the tsuka. It finishes the handle visually and forms part of the mounting assembly.
Source boundary: Exact construction and fastening vary.
22 / Saya
The saya is the scabbard that houses the blade. Its finish, color, fittings and fit vary by model, so the explorer identifies the object rather than certifying its materials or retention.
Source boundary: Do not infer wood, lacquer or fit from a generic photograph.
23 / Koiguchi
The koiguchi is the opening or mouth of the saya where the habaki seats when the sword is sheathed. It is easiest to identify in a close view of the upper end of the scabbard.
Source boundary: Do not claim fit quality from the visual alone.
24 / Kurigata
The kurigata is the projection on the saya through which the sageo is routed or attached. Its form and position vary with the mounting.
Source boundary: Not every scabbard presentation uses the same fitting.
25 / Sageo
The sageo is the cord attached to the saya at the kurigata. Its color, material and tying style are specific to the mounting shown.
Source boundary: Do not claim traditional material or use without product evidence.
26 / Kojiri
Kojiri refers to the lower end of the saya and, in some mountings, the fitting that protects or decorates that end. It may be plain or fitted depending on the sword.
Source boundary: Do not imply a separate metal fitting when the selected saya does not have one.
27 / Nakago
The nakago is the tang: the section of the blade concealed inside the tsuka. Because it is hidden in an assembled sword, it should be shown only in a verified schematic or disassembly photograph.
Source boundary: Never invent its length, shape, holes or signature from the exterior image.
Exploded view separates only source-supported visible groups. Measurements and concealed structures never move as parts.
Shown on a representative NIMOFAN katana; fittings, materials, finishes, proportions, and construction details vary by model.
Tá na téarmaí sleá is úsáideach nuair a chuireann tú íomhánna iomlána agus íomhánna gar. Míníonn siad cruth, imeall, lúb, agus an líne radhairc den iarann.
| Téarma | Brí i mBéarla simplí | Cad ba cheart a sheiceáil ar leathanach táirge |
|---|---|---|
| Kissaki | Baintín nó tip de an claíomh. | Féach ar chuma an bhainte agus ar an bhfócas ar na grianghraif. |
| Ha / Hasaki | An limistéar an chliabhra. | Seiceáil an bhfuil roghanna géar nó neamhghéar ar fáil sa liosta. |
| Mune | An taobh chúl nó an spine den claíomh. | Úsáid grianghraif taobh chun tuiscint a fháil ar tiús agus próifíl an claíomh. |
| Hamon | An líne teasimh le feiceáil nó líne fhíséal stíl hamon ar an mbloc. | Ná glacadh leis go gciallaíonn gach líne le feiceáil an céanna cóireáil teas. Léigh sonraí cruach agus teasúcháin an táirge. |
| Nagasa | Fad an chlaíomh, de ghnáth tomhaiste ó bhun go barr. | Úsáid é seo le fad iomlán chun spás taispeána agus tuairimí loingsiú a chinneadh. |
| Sori | Cúinge an chlaíomh. | Comhair an grianghraif lán-fhada; athraíonn cruinneas an chiorcal mothú na harmónach ar an gclaid iomlán. |
| Shinogi / Shinogi-ji | An líne chliabh agus an limistéar cothrom in aice leis ar go leor cruthanna claid katana. | Tá sé níos éasca na rudaí seo a chinneadh i ngrianghraif le huillinn shoiléir ná i mbrandaí táirgí. |
Cabhraíonn téarmaí lámh agus uirlisí le stíl, compord, agus carachtar taispeántais a chur i gcomparáid. Ar go leor leathanaigh táirgí, cruthaíonn na sonraí seo an difríocht fhisiciúil is láidre idir dhá shord éigin.
Tsuka is é an láimhseáil. Ito is an clúdach. Samegawa tagraíonn sé do struchtúr stíl ray-skin faoi nó timpeall an chòmhdach. Seiceáil an dath, patrún an chòmhdach, agus an bhfuil an láimhseáil ag teacht le téama iomlán na claidhe.
Tsuba is an cosantóir. Seppa atá na spacers gar don chosaint. Habaki is an collar an claíomh. Is féidir leis na píosaí miotail bheaga seo a bheith simplí, maisithe, spreagtha ag anime, nó traidisiúnta.
Fuchi is an collar an lámh, kashira is é an pommel, agus menuki is maisiúcháin greim. Tá siad beaga, ach is minic go cinneann siad an mothú de shleánscian taispeántais.
Ní hamháin go bhfuil an saya stóráil. I ngrianghraif ecommerce, is minic go mbíonn sé i gceannas ar an gcéad tuiscint toisc go bhfuil dath, gloine, corda, agus uirlisí éasca le feiceáil fiú roimh an gclaidheamh a tharraingt.
| Téarma | Brí | Nóta an Cheannaitheora |
|---|---|---|
| Saya | An scabbard. | Déantar comparáid idir dath, críochnú, patrún, agus conas a fheictear sé in aice leis an lámh. |
| Koiguchi | An béal den scabbard. | De ghnáth is mionmhíniú beag é, ach tá sé tábhachtach i ngrianghraif shaincheaptha gar. |
| Sageo | An snáithín ceangailte leis an scabbard. | D'fhéadfadh dath agus stíl na ceangailt a bheith tionchar acu ar chuma iomlán an taispeántais. |
| Shirasaya | Stíl simplí d’fheithicil adhmaid. | Ná déan dearmad é a mheascadh le háit iomlán maisiúil de katana maisithe. |
| Maisiú stíl Kozane | Dromchla le scála marthanach a úsáidtear ar roinnt dearaí scabbard saincheaptha. | Seo rogha amhairc saincheaptha, ní cuid chaighdeánach de gach katana. |
Úsáid na téarmaí chun seiceáil a dhéanamh an bhfuil na grianghraif táirgí ag teacht leis an teideal. Ba chóir go mbeadh leathanach réamhullmhaithe maith le taispeáint go soiléir den scian, tsuka, tsuba, saya, agus fad iomlán le haghaidh comparáide.
Tá cinntí maidir le katana saincheaptha níos éasca nuair a scarann tú an scian, an pholish, na huirlisí, an clúdach lámh, an saya, agus an scríbhneoireacht. Déan fiosrú ar na sonraí go luath toisc go bhféadfadh athruithe móra am a chur leis nuair a thosaíonn an táirgeadh.
Cabhraíonn ainmneacha carachtar leat an réimse ceart a aimsiú, ach ba chóir go dtógfadh an rogha deiridh as na meáin táirge agus na sonraí. Níor chóir go mbeadh sleáin spreagtha mar earraí oifigiúla mura bhfuil sé soiléir luaite.
Úsáid na leathanaigh seo ach amháin nuair a fhreagraíonn siad do do cheist eile. Is é an sprioc ná comparáid a dhéanamh níos éasca, ní gach rud a chliceáil.
Tosaigh le fad an chlaíomh, críochnú an chlaimh, tsuba, tsuka, saya, agus rogha an chliabh. Is iad na sonraí is dócha go n-afaigh siad cuma an taispeántais agus mianta an cheannaitheora.
Ní hea. Ba chóir hamon infheicthe nó líne stíl hamon a sheiceáil i gcoinne cur síos ar an táirge. Léigh na sonraí cruach agus teanntán atá liostaithe sula ndéanann tú tuiscint ar conas a rinneadh an chlaíomh.
Is é tsuka an lámh. Is é saya an scabbard. Bíonn tionchar ag an tsuka ar greim agus cuma an lámha; bíonn tionchar ag an saya ar stóráil, cothromaíocht dath, agus stíl taispeántais.
Ligeann go leor tógálacha saincheaptha duit stíl an chlaimh, cruach, glanadh, tsuba, clúdach an lámha, saya, uirlisí, agus inscne a roghnú. Seiceáil an tógála saincheaptha agus déan teagmháil le NIMOFAN má tá sonraí ag teastáil ó chonfíríocht.
Cuidíonn téarmaí leat sword a thuiscint, ach taispeánann grianghraif an críochnú, an méid, an dath, agus an chothromaíocht i ndáiríre. Nuair a mhothaíonn an teideal agus na grianghraif difriúil, bí muiníneach as na meáin agus na sonraí atá ar fáil faoi láthair.
